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The ongoing loss of these homes, with little to no heritage protection to save them, has activists and heritage lovers sounding the alarm.
This essay explores a seemingly mundane site of an informal dog park and how it can function as a rich ethnographic field site.
I explore ANZAC not as a fixed historical truth but as a mythology in loop. A narrative system that generates authenticity through repetition, performance, and recognition.
Urban spaces are often designed to exclude rather than include, with hostile architecture like concrete spikes sending a clear message: certain bodies are not welcome.
Aiming for a lifetime of learning and late in life career change, finally a path comes into the light.
Experiment II in visual ethnography analysis through an anthropological lens.
Practicing analysis of visual ethnography. It is one thing to use field nots, words, quotes what can be told from an image?

I acknowledge the Woi Wurrung people of the Kulin Nation, the Traditional Custodians of the land on which I live, work, and create. I recognise that these lands were never ceded and remain, always, their land. I pay my deepest respects to Elders past and present, and to all First Nations people whose cultures and connections to Country continue to shape and strengthen this place.

As a white Australian with ancestry tracing back to First Fleet convicts, colonisers, and more recent immigrants, I acknowledge the privileges I have inherited through systems built on dispossession and ongoing injustice. I recognise that my presence here is part of a broader legacy—one that has caused deep harm, directly and indirectly, to First Nations communities.

I commit to listening, learning, and working in ways that honour the sovereignty, knowledge, and enduring strength of Aboriginal and Torres Strait Islander peoples.